Out of curiosity, I wonder what the consensus presently is on best Prince album? I know a lot of people were very high on
Sign for some time, but I have a feeling most of the affection has settled on
Purple Rain (or, in some circles,
Dirty Mind). I have always admired and respected
Sign but never exactly loved it. Let me try to explain. It often feels a little like work to take it on, and not only for its generous double-LP 80-minute dimensions. There are other reasons. For example, the worst song here is the first one encountered, and the title song no less. A fetching aural landscape (as also was "When Doves Cry," remember) but more of a novelty and/or inert art object, and ultimately tiresome I think. No need to go into the belabored attempt to be topical, I hope. I don't doubt Prince wanted peace on this earth in 1987, still does, and always has, but he's a little fatuous about it, don't you think? There's a downside to spending your life locked into a studio. Then there are what I think of as The Lessons in Funk—"Housequake," or "Hot Thing." This is great stuff, but is it my imagination or is there something a little clinical here? I guess there's a downside to putting on a clinic too. He studied his James Brown, George Clinton, Marvin Gaye, Jimi Hendrix, and Little Richard well. Prince Rogers Nelson is the Tiger Woods of funk and soul and rock 'n' roll and always has been. He knew where to fix his gaze and absorb, and he's loaded with talent. And it is indeed brilliant music to be found here, absolutely ... stop to listen close ... sure enough, hands in the air like I just don't care. So why don't I get to it more often? Partly I think there are actually a good many lesser lights besides the title song. I don't like "Starfish and Coffee" or "The Ballad of Dorothy Parker," and "The Cross" is the kind of business I don't want to be involved in (wonderful grinding bottom or no). In other cases the songs themselves are patchy: "Play in the Sunshine" and "It" have very nice moments but can be lackluster about getting there. "Slow Love" is a good one, the kind of torchy sex song he does on a regular basis and often pulls off (which also means it isn't necessarily indispensable). "If I Was Your Girlfriend" is weird in a good way and charming. "U Got the Look" works pretty well too, and "It's Gonna Be a Beautiful Night" is about as big as the 9:02 allows. My favorite on the recent visits was "I Could Never Take the Place of Your Man" and its soaring hook, which sounds to me like it could have played on
Purple Rain, although maybe (or maybe not) I could do without the proggy break (thus making it another patchy song, though at 6:29 it has the room to breathe too). I have to admit, I tend to favor the next album over this,
Lovesexy, which I thought better achieved the seamless suite of everything he is going for (see also, names above), sans huffed-up topicality, which feels more like making it mighty real to me. But I expect
Sign O' the Times (with or without embedded peace symbol) is pretty far up the Rolling Stone Rock & Roll Hall of Fame ladder, yes?
